Dialectics of Islamic Jurisprudence on Music: A Systematic Literature Review
Dialektika Fikih Islam tentang Musik: Tinjauan Literatur Sistematis
DOI:
https://doi.org/10.20625/theosyn.v1i2.017Keywords:
Islamic Music, Music Law, Systematic Literature Review, Jurisprudential DialecticsAbstract
The debate surrounding the legal status of music in Islam has persisted from the classical era to contemporary times, reflecting significant divergences among scholars. The purpose of this study is to map the perspectives of both classical and contemporary scholars regarding the legality of music, while also identifying its ongoing relevance within current socio-religious contexts. The research employed a systematic literature review using the PRISMA approach. Out of 488 articles initially identified, 25 were selected for closer examination, and ultimately 6 were chosen for in-depth qualitative analysis. The results reveal that some scholars strictly prohibit music, arguing that its potential harm outweighs its benefits, particularly because it may distract from worship and stimulate sensual desires. In contrast, other scholars argue that the textual evidence for prohibition is weak or unauthentic, and therefore the original ruling on music should be considered permissible (mubah).
Bahasa Indonesia
Perdebatan mengenai hukum musik dalam Islam telah berlangsung sejak masa klasik hingga era kontemporer, memperlihatkan adanya perbedaan pandangan yang tajam di kalangan ulama. Penelitian ini bertujuan untuk memetakan pandangan ulama klasik dan kontemporer mengenai hukum musik serta mengidentifikasi relevansinya dalam konteks sosial-keagamaan saat ini. Metode yang digunakan adalah systematic literature review dengan pendekatan PRISMA. Dari total 488 artikel yang teridentifikasi, 25 artikel diseleksi lebih lanjut, dan akhirnya 6 artikel dipilih untuk dianalisis secara mendalam. Data yang diperoleh kemudian dianalisis secara kualitatif untuk menemukan pola, perbedaan, dan titik temu dalam pandangan hukum musik. Hasil penelitian menunjukkan bahwa sebagian ulama melarang musik dengan alasan mudarat lebih banyak daripada manfaat, terutama karena dapat melalaikan ibadah dan membangkitkan syahwat. Namun, sejumlah ulama lain menilai dalil pelarangan tidak sahih, sehingga hukum asal musik adalah mubah.
References
Adewale Awodiji, Omotayo, and Suraiya Rathankoomar Naicker. “Basic School Leaders’ Continuous Professional Development for the 4IR: A Systematic Literature Review across Africa.” Athens Journal of Education 12, no. 1 (January 27, 2025): 99–120. https://doi.org/10.30958/aje.12-1-6.
Ambrosio, Alberto Fabio. “Rumi and the Whirling Dervishes.” Adelaide (AUS): ATF Press CN - PN, 2019. https://digital.casalini.it/9781925612288.
Bakri, Tsonka Al, Mohammed Mallah, and Nedal Nuserat. “Al Adhan : Documenting Historical Background, Practice Rules, and Musicological Features of the Muslim Call for Prayer in Hashemite Kingdom of Jordan.” Musicologica Brunensia, no. 1 (2019): 167–85. https://doi.org/10.5817/MB2019-1-12.
Beck, Guy L. “Shared Religious Soundscapes: Indian Rāga Music in Jewish, Christian, and Islamic Devotion in South Asia.” Religions 14, no. 11 (November 10, 2023): 1406. https://doi.org/10.3390/rel14111406.
Bertolini, Manuel. “La Censura Musicale in Afghanistan (1996-2023): Politica, Teologia, Etica.” SOCIETÀ E STORIA, no. 2023/181 (2023). https://doi.org/10.3280/SS2023-181011.
Breyley, G. J. “Between the Cracks: Street Music in Iran.” Journal of Musicological Research 35, no. 2 (April 2, 2016): 72–81. https://doi.org/10.1080/01411896.2016.1165051.
Erol, Ayhan. “The Glocality of Islamic Popular Music: The Turkish Case.” In Made in Turkey, 107–18. Routledge, 2017. https://doi.org/https://doi.org/10.4324/9781315764993.
Farahat, Omar. “Norms and Values in Islamic Legal Reasoning: The Case of Listening to Music (Samāʿ).” Religions 14, no. 6 (June 13, 2023): 780. https://doi.org/10.3390/rel14060780.
Gaind-Krishnan, Sonia. “Qawwali Routes: Notes on a Sufi Music’s Transformation in Diaspora.” Religions 11, no. 12 (December 21, 2020): 685. https://doi.org/10.3390/rel11120685.
Haddaway, Neal R., Matthew J. Page, Chris C. Pritchard, and Luke A. McGuinness. “PRISMA2020 : An R Package and Shiny App for Producing PRISMA 2020‐compliant Flow Diagrams, with Interactivity for Optimised Digital Transparency and Open Synthesis.” Campbell Systematic Reviews 18, no. 2 (June 27, 2022). https://doi.org/10.1002/cl2.1230.
Hamid, Noor ‘Ashikin, and Noraida Harun. “Legitimasi: Kaedah Penentuan Nasab Dan Hak Anak Tidak Sah Taraf Menurut Undang-Undang Keluarga Islam Malaysia.” Kanun Jurnal Undang-Undang Malaysia 37, no. 1 (January 28, 2025): 97–120. https://doi.org/10.37052/kanun.37(1)no5.
Hanafi, Lukmanul Hakim, Zulkifli Mohamad Al-Bakri, and Raja Raziff Raja Shaharuddin. “Hiburan: Muzik, Nyanyian, Nasyid Menurut Perspektif Fiqh Dan Fatwa.” Journal of Fatwa Management and Research 3, no. 1 (October 23, 2018): 83–108. https://doi.org/10.33102/jfatwa.vol3no1.110.
Hanif, Abdullah, Encep Syarifudin, and Ali Muhtarom. “INTEGRATION OF RELIGIOUS MODERATION IN ISLAMIC EDUCATION: CHALLENGES AND OPPORTUNITIES IN THE DIGITAL ERA.” Edukasi Islami: Jurnal Pendidikan Islam 14, no. 01 (2025): 49–66. https://doi.org/10.30868/ei.v14i01.7767.
Hanifah, Umi, I Ketut Budayasa, and Raden Sulaiman. “Technology, Pedagogy, and Content Knowledge in Mathematics Education: A Systematic Literature Review.” Journal of Education and Learning (EduLearn) 19, no. 1 (February 2, 2025): 579–86. https://doi.org/10.11591/edulearn.v19i1.21816.
Harith, Saidah Haris, Ganesan Shanmugavelu, and Hanizah Abdul Bahar. “MUSICOLOGY IN ISLAM: A PRELIMINARY STUDY.” EPRA International Journal of Multidisciplinary Research (IJMR), December 21, 2020, 206–13. https://doi.org/10.36713/epra5917.
Hassan, Abul, Ali Ab Ul Hassan, and Rabia Noor. “Permissibility Of Music In Islam: A Confused State Of Halal And Haram Among Pakistani Youth.” Journal of Positive School Psychology 6, no. 10 (2022).
Ismail, Mohamed Hossam. “Experiences of Listening to the Qur’an in Egypt: A Qualitative Phenomenological Study of Therapeutic and Recreational Listening.” Contemporary Islam 17, no. 1 (April 25, 2023): 109–31. https://doi.org/10.1007/s11562-023-00513-0.
Karimullah, Suud Sarim. “The Use of Music in Islamic Da’wah and Its Impact on Audience Emotional Response.” Jurnal Ilmu Dakwah 44, no. 2 (December 31, 2024): 217–36. https://doi.org/10.21580/jid.v44.2.20293.
Kholishoh, Ziadatun. “ANALYSIS OF PRODUCER BEHAVIOR CV. BLJ ACCORDING TO THE PRINCIPLES OF PRODUCTION IN ISLAM.” Pedagogic Research-Applied Literacy Journal 2, no. 1 (January 27, 2025): 328–35. https://doi.org/10.70574/kgkf6c42.
Krisnawati, -, Yudi Sukmayadi, and Hery Supiarza. “Music Activities in Islamic Boarding Schools.” In Proceedings of the International Conference on Arts and Design Education (ICADE 2018). Paris, France: Atlantis Press, 2019. https://doi.org/10.2991/icade-18.2019.70.
Levine, Mark, and Jonas Otterbeck. “Music in Muslim Contexts.” In Handbook of Contemporary Islam and Muslim Lives, 781–95. Cham: Springer International Publishing, 2021. https://doi.org/10.1007/978-3-030-32626-5_42.
Liang, Ruoting, and Lujia Qian. “The Application and Advantages of Music Therapy in the Rehabilitation of the Elderly.” MedScien 1, no. 10 (December 31, 2024). https://doi.org/10.61173/vq9ymv67.
Mansur, Andi Amri, Ahmad Mujahid, and Muhsin Mahfudz. “Strategi Pemasaran Barang Dan Jasa Dalam Islam (Perspektif Al-Qur’an).” JUMABI: Jurnal Manajemen, Akuntansi Dan Bisnis 3, no. 1 (January 28, 2025). https://doi.org/10.56314/jumabi.v3i1.283.
Meghani, Shaista, Michael Frishkopf, Tanya Park, Carmel L. Montgomery, Colleen Norris, and Elizabeth Papathanassoglou. “Music-Based Interventions and Theoretical Mechanisms in Post-ICU Survivors: A Critical Narrative Synthesis.” Intensive and Critical Care Nursing 86 (February 2025): 103777. https://doi.org/10.1016/j.iccn.2024.103777.
Mirbagheri Fard, Sayyed Ali Asghar, and Ehsan Reisi. “The Role of Sufism in the Formation of Contemporary Iranian Music.” Religions 14, no. 12 (November 29, 2023): 1483. https://doi.org/10.3390/rel14121483.
Mohammed, Sharifah Faizah Syed. “The Role of Music in the Revolution.” In Musical Nationalism in Indonesia, 167–82. Singapore: Springer Singapore, 2021. https://doi.org/10.1007/978-981-33-6950-4_13.
Morrissey, Fitzroy. “The Status of Music in Islamic Law: Ibn Ḥajar Al-Haytamī’s (d. 974/1567) Treatise Against Recreation in Its Polemical Context.” Islamic Law and Society 31, no. 3 (March 6, 2024): 194–234. https://doi.org/10.1163/15685195-bja10053.
Müller, Dominik M. “ISLAMIC POLITICS AND POPULAR CULTURE IN MALAYSIA: Negotiating Normative Change between Shariah Law and Electric Guitars.” Indonesia and the Malay World 43, no. 127 (September 2, 2015): 318–44. https://doi.org/10.1080/13639811.2014.930993.
Mussa, Mussa Ame. “Critical Analysis of Music Prohibition and Permission in Islam.” International Journal of Sociology and Anthropology 16, no. 2 (2024): 9–22.
Muthoifin, Muthoifin, Aisha Bahaaeldin Eprahim Ali, Thufail Al-Mutawakkil, Nazar Fadli, and Ahmadi Abdul Adzim. “Sharia Views on Music and Songs: Perspective Study of Muhammadiyah and Madzhab Four.” Demak Universal Journal of Islam and Sharia 1, no. 01 (February 1, 2023): 10–17. https://doi.org/10.61455/deujis.v1i01.6.
Naamuddin, Naamuddin, Husnel Anwar Matondang, and Fadhilah Is. “Hadist-Hadist Tentang Musik Studi Komparatif Pemahaman Ibnu Hazm Dan Al-Mubarakfuri.” ANWARUL 4, no. 1 (January 8, 2024): 272–84. https://doi.org/10.58578/anwarul.v4i1.2489.
Nur, Faisal Muhammad. “Modern Challenges in Islamic Practice: The Role of Morality and Ethics.” Abrahamic Religions: Jurnal Studi Agama-Agama 4, no. 1 (March 30, 2024): 98. https://doi.org/10.22373/arj.v4i1.23661.
Nurdin, Muhamad Saddam, Irwan Fitri Aco, and Rifqi Riswandha Idrus. “Tinjauan Hukum Islam Mengenai Pengobatan Menggunakan Metode Terapi Musik.” AL-QIBLAH: Jurnal Studi Islam Dan Bahasa Arab 2, no. 6 (November 30, 2023): 674–705. https://doi.org/10.36701/qiblah.v2i6.1587.
Olley, Jacob. “An Orient of One’s Own: Music and Islamic Modernism in the Late Ottoman Empire.” Royal Musical Association Research Chronicle 54 (April 10, 2023): 21–36. https://doi.org/10.1017/rrc.2023.2.
ORHAN, Fatih. “Gınâdan Semâ’ya: Fakihlerin Tasavvuf Mûsikisine Bakışı.” Hitit İlahiyat Dergisi 20, no. 2 (December 30, 2021): 805–34. https://doi.org/10.14395/hid.979226.
Pratama, Fikri Surya. “DARI SUFISTIK KE POP RELIGI: SEJARAH TRANSFORMASI MUSIK DALAM PERADABAN ISLAM.” Al-Tsaqafa : Jurnal Ilmiah Peradaban Islam 20, no. 1 (July 17, 2023): 1–13. https://doi.org/10.15575/al-tsaqafa.v20i1.22969.
Pratiwi, Hanameyra. “Analisis Sanad Dan Matan Hadis Tentang Musik.” Jurnal Riset Agama 1, no. 1 (September 24, 2021): 59–70. https://doi.org/10.15575/jra.v1i1.14256.
Prianto, Agung Teguh. “Dakwah Melalui Syi’ir: Alternatif Metode Dakwah Pada Masyarakat Urban.” INTELEKSIA: Jurnal Pengembangan Ilmu Dakwah 5, no. 2 (December 30, 2023): 399–418. https://doi.org/10.55372/inteleksiajpid.v5i2.283.
Rašić, Dunja. “Music of the Spheres in Akbarian Sufism.” Religions 13, no. 10 (October 3, 2022): 928. https://doi.org/10.3390/rel13100928.
Saputra, Deris Arista. “A STUDY OF FASAKH AND KHULU IN THE COMPILATION OF ISLAMIC LAW (KHI): COMPARISON, CAUSES, AND IMPLICATIONS.” International Journal of Social Service and Research 5, no. 1 (January 28, 2025): 136–43. https://doi.org/10.46799/ijssr.v5i1.1191.
Sayfullina, Guzel. “Traditions of Sufi Dhikr in the Musical-Poetical Culture of Tatar Muslims.” Musicologist 3, no. 2 (December 31, 2019): 126–45. https://doi.org/10.33906/musicologist.635939.
Shamilli, G.B. “Musicking and Islamic Law as a Problem of Methodology.” Art & Culture Studies, no. 3 (October 2021): 256–83. https://doi.org/10.51678/2226-0072-2021-3-256-283.
Sharqawi, Subhi Ibrahim. “Importance and Ways to Employ Music and Singing from the Islamic Law Standpoint.” Pakistan Journal of Life and Social Sciences (PJLSS) 22, no. 2 (2024). https://doi.org/10.57239/PJLSS-2024-22.2.001573.
Sihotang, Muhenri, and Zainal Arifin Hoessein. “Transformasi Politik Hukum Dalam Penguatan Regulasi Cyber Law Di Indonesia.” Jurnal Syntax Admiration 6, no. 1 (January 27, 2025): 586–96. https://doi.org/10.46799/jsa.v6i1.2070.
Sumanti, Elvi, and Abdullah Abdullah. “The Role of Muslim Women as Content Creators: Building Islamic Communication Values.” International Journal Of Education, Social Studies, And Management (IJESSM) 5, no. 1 (January 27, 2025): 170–84. https://doi.org/10.52121/ijessm.v5i1.631.
Talib, Sariati, Bity Salwana Alias, Mohd Effendi Ewan Mohd Matore, and Abdul Halim Abdullah. “Empowering STEM Education through the Role of Principals: A Systematic Literature Review.” Journal of Education and Learning (EduLearn) 19, no. 1 (February 2, 2025): 570–78. https://doi.org/10.11591/edulearn.v19i1.21889.
Tambak, Syahraini, and Desi Sukenti. “Islamic Professional Madrasa Teachers and Motivation for Continuous Development: A Phenomenological Approach.” Journal of Education and Learning (EduLearn) 19, no. 1 (February 2, 2025): 81–90. https://doi.org/10.11591/edulearn.v19i1.21301.
Tamimi Arab, Pooyan. “Islamic Heritage versus Orthodoxy: Figural Painting, Musical Instruments and Wine Bowls at the Dutch National Museum of World Cultures.” Journal of Material Culture 26, no. 2 (June 5, 2021): 178–200. https://doi.org/10.1177/1359183521997503.
Unyil, Unyil. “TEXTUAL ANALYSIS BETWEEN HALAL AND HARAM ISLAMIC MUSIC BASED ON THE QURAN AND HADITH.” Kawalu: Journal of Local Culture 10, no. 01 (August 10, 2023): 190–215. https://doi.org/10.32678/kwl.v10i01.7872.
Wati, Erna. “MUSICAL PIETY: REPRESENTATION OF ISLAM IN SOUTHEAST ASIA’S NASYID BOY-BAND MUSIC.” Journal of Culture, Arts, Literature, and Linguistics (CaLLs) 1, no. 1 (February 24, 2017): 19. https://doi.org/10.30872/calls.v1i1.706.
Downloads
Published
Issue
Section
License
Copyright (c) 2025 Ahmad Farid Fanani, Teguh Iswahyudi, Fiko Savero, Rifat Syauqi Efendi, Akmal Dzakwan (Author)
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
This work is licensed under the Creative Commons Attribution-ShareAlike 4.0 International License.
You are free to:
- Share — copy and redistribute the material in any medium or format for any purpose, even commercial purposes.
- Adaptation — mixing, changing, and developing materials for any purpose, even commercial ones.
Under the following terms:
- Attribution — You must give appropriate credit , provide a link to the license, and indicate if changes were made . You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
- ShareAlike — If you remix, transform, or build upon the material, you must distribute your contributions under the same license as the original.
- No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.
